Wendy Mnookin
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Wendy Mnookin’s most recent book is The Moon Makes Its Own Plea, published by BOA Editions in 2008. Her other books are What He Took and To Get Here, also from BOA Editions, and Guenever Speaks, a collection of persona poems. Her poems appear in journals, including The Greensboro Review, Harvard Review, POOL, Prairie Schooner and Rhino, and anthologies, including Boomer Girls and Urban Nature


Mnookin received a book award from the New England Poetry Club and a Poetry Fellowship from the National Endowment for the Arts. She graduated from Radcliffe College and the Vermont College MFA Program. She teaches poetry at Emerson College and Grub Street, a non-profit Boston writing program. You can find out more about her writing at:

www.wendymnookin.com.

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Anything Warm

Anything warm is warm.

Anything red has something to say.

Anything that drifts also smudges,

like secrets. That intense.

Anything loose is a message,

endless, and endlessly enticing.

Anything narrow gets there first.

Especially anger. Anything watery

pleads, though the story stays

buried under its layers, obscuring

whatever it is we’ve done

to deserve this. In the eternal life

of regret, Sunday looks back.

Monday is certainty,

with a mystery inside out.

Anything two days in a row

sings the same song I do

without repeating the first verse.

Because there is no return.

That seems dramatic, but likely.

Just look at the waves,

all moving in one direction.

It made Noah crazy!

Another day—hell, another

hour—he’d be ready

to wring that dove’s neck.

What right did she have

to exhaustion, to twittery musings?

One declarative sentence

would be a relief.

Rental 

The children spend hours

peeling sunburnt skin from each other’s backs.

I lie on the deck, astounded

by red, roses draping over the trellis,

heavy as fruit.

Sand castles grow more elaborate—

winding moats, turrets.

Come in, come in, it’s time for dinner,

my voice lost in the greed of ocean air.

You walk along the beach,

down where waves harden the sand

and make it easier to grip.

At night I dream you keep walking

until you disappear beyond the last piling.

The dream tells me you’re dead

so I can’t be angry.

I wake up angry.

Where is the light switch?

Where is a cup for water?

Over the couch, a shawl romanticizes peacocks.

Three flat rocks wait it out in a soap dish.

At Sea

At the end of the jetty. 

Where the boats come in. Where the boats go out. At the pile of rocks

that swallows the sun at the end of the day.

At the turn of the trail. At the last dune.

In front of the hot-dog stand. At the door to the pub. By the shanty,

the shipbuilder’s yard, the discarded yellow boots, the smashed clam shells.

You thought I’d give in to despair.

But today is today, everywhere I look. And I look everywhere.

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